A theatre past and present essay

A theatre past and present essay

Starring Julie Andrews, it retold the fairytale of a young girl living a miserable life under the roof of her evil stepmother and her three equally vicious stepsisters.

Depicting the events in the story of the Scottsboro case in American history is no exception, as the sensitive issues of injustice and racial discrimination, have been exposed not only in various articles about the case but also in a musical production, which seems an unlikely platform to present an unlikely subject.

Throughout Europe the middle class took over the theatres and effected changes in repertoirestyle, and decorum. To have a thorough understanding of opera it is important to locate its roots. The boulevard theatres of Paris experienced less trouble in establishing themselves.

Theatre building

So there was certainly tension between the merging of social classes, and certainly resistance to it. It has, in addition, the freedom conferred by the unfettered imagination. Sometimes plays were staged as part of the occasion and a certain amount of burlesque and comedy crept into these performances. What is the major difference between opera and musical theatre? Although this might suggest a transgression of gender boundaries however which to a degree was the case , this was in turn caused by necessity, as it was considered socially unacceptable for women to act in theatres until well after the Reformation in the seventeenth century. He continued his musical studies at Westminster School, where his father was an organist. For example, if the actors slow down their actions, speed, pace and exclamation of speech and the orchestra does the equivalent as the characters pause or stop swordfighting, the audience would respond by imitating the two by quieting down. Throughout Europe the middle class took over the theatres and effected changes in repertoire , style, and decorum. Andrew Lloyd Webber is a successful composer due to his variety of appeal to diverse audiences. The same could be done vice-versa. Their plays were performed in the Great Hall of a nobleman's residence, often with a raised platform at one end for the audience and a "screen" at the other for the actors. At this past summer intensive, I told my mom that this is the place I wanted to be. At the age of 9, Andrew was able to play the organ and helped his father during performances.

However, Elizabethan audiences behaved slightly differently. Additionally, sound effects had an important part in Elizabethan drama. There was not much to be said: A glooming peace this morning with it brings; The sun for sorrow will not show his head.

That week was one of the best of my life. Therefore, the crowd at theatres such as the Globe, which would include those of a lower social status and wealth were probably likely to have been more inclined to show their true emotions to make their presence felt than of the crowd at the indoor theatres, dominated mainly by the possibly more reserved upper-class.

I counted down the days until we would open and when my friends and family could see it after all the hard work we put in. While the stage itself remained relatively empty, the lack of spectacle was compensated for by the extravagant and unrestrained costuming of the actors, which drew much criticism from Puritans for its decadent excesses.

It also allowed dramatists to turn to secular subjects and the reviving interest in Greek and Roman theatre provided them with the perfect opportunity. Just the same, many things have remained unscathed.

romanticism theatre

Stephen Schwartz.

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Musical Theatre Essay